APPENDIX 1 TO WCO CONSTITUTION (2005)

Statement on Expected Standard for Playing Members

 

1. Introduction.

The WCO has a long tradition of not setting a precise grade-based standard for membership. This is largely a consequence of the orchestraÕs history, when it existed more in the guise of a musical club than as a performing orchestra. In many respects the original philosophy behind this decision has fostered the friendly environment still enjoyed today, and much has been achieved, creatively, despite ostensibly remaining an Ôall-abilityÕ group. Any plans to move radically away from the current status quo must be mitigated with a real desire not adversely to alter the essential character of the orchestra.

But as the WCO develops, and our responsibilities to our audiences change, we need periodically to re-examine the best path to take to ensure that the orchestra is able to achieve its fullest potential. Consequently, Appendix 1 Ð Statement on Expected Standard for Playing Members Ð is reviewed each year in the light of our achievements, aspirations, creative plans and commitments, new membership and the continuing development of the orchestra as whole.

2. Expectations.

For another year we will continue with our original policy of not setting a precise grade-based standard for membership.

However, the complexity of the planned repertoire and the aspirations of the current membership dictate that a reasonable degree of competency is required of all instrumentalists. It is difficult precisely to quantify this, so perspective new players should discuss their experience with the Musical Director if they are unsure of where they stand. There are certainly significant challenges for all in the music we play, and for certain instruments the expected playing standard is high. However, there is some scope to have less experienced players in certain sections, but the onus is on all players to use rehearsals and private practice time to bring themselves up to a good performance standard. The Musical Director reserves the right to restrict the participation in public concerts of anyone who does not.

An important condition dating back to the 2004 re-launch is that as an absolute minimum, all players must be able to play in tune, with a pleasant tone, and to show some understanding of the role they play within the wider ensemble. This very basic requirement will be vigorously enforced.

3. Probationary Period .

There is a three-week trial period for new potential members where both they and the Musical Director can assess whether the WCO is a suitable orchestra for their aspirations and abilities. An offer of membership will be further dependent on the existence of a suitable vacancy.

Reviewed August 2007